December 31, 2010. This is New Year’s Eve. Orval Carlos Sibelius is experiencing intense boredom in the small cashier’s cubicle of the cinema he’s working at. He strums a little guitar and starts composing a song. (...)

31 Décembre 2010 : En cette soirée de réveillon, Orval Carlos Sibelius s’ennuie dans la cabine de projection du cinéma où il travaille. Il gratte sa guitare et écrit le début d’une petite chanson. (...)

Acclaimed drum and electronics duo The Berg Sans Nipple (Nebraskan Shane Aspegren and Frenchman Lori Sean Berg) are back with "Build With Erosion", their newest album out on Clapping Music. With a sound that encompasses a little bit of everything — from gamelan, electronica, Afro Beat, post-punk, old-soul, dub, Ennio Morricone landscapes and hip-hop beats — Build With Erosion maps out its own very special musical terrain.

Empruntant à une myriade de genres identifiés – le gamelan indonésien, l’electronica, l’afro beat, le rock progressif, le post punk et la new wave - ‘Build With Erosion’ voit The Berg Sans Nipple permettre les greffes d’éléments les plus disparates, laisser libre cours à leurs idées les plus incongrues et inventer une musique viscéralement originale, audacieuse et étrangement pertinente pour l’époque.

The Konki Duet come from all around the world (Kumi from Japan, Tamara from Russia, and Zoé from France) and they've charmed us with their hybrid music.
Together we wandered through the mountains with grey sheep under stormy weather. Now it's time for us to sit at the table: effective pop with lyrical breakaways in a devastatingly dreamlike universe will be served.
With their rhythmic rock, adventurous melodies and ambiguous atmospheres, The Konki Duet’s pop music always remains straight to the point: inventive and bright.

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